Difference between revisions of "Talk:Infinite Jest"
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Note that DFW makes use of the term "post-millennial" numerous times, albeit infrequently, given the length of the novel. In interviews from the 90's, DFW was cognizant of a post-modern era and felt, I felt, a special significance approaching with the new millennium (Google "DFW interview millennium" for examples). I think there's a very strong inference that the inauguration of subsidized time coincides with the new millennium and I would suggest adding a sentence or two to the main chronology in support of the Matty Pemulis-based date(s) putting YG in 2008 or 2009. | Note that DFW makes use of the term "post-millennial" numerous times, albeit infrequently, given the length of the novel. In interviews from the 90's, DFW was cognizant of a post-modern era and felt, I felt, a special significance approaching with the new millennium (Google "DFW interview millennium" for examples). I think there's a very strong inference that the inauguration of subsidized time coincides with the new millennium and I would suggest adding a sentence or two to the main chronology in support of the Matty Pemulis-based date(s) putting YG in 2008 or 2009. | ||
--Mimesis | --Mimesis | ||
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| + | ==Inspiration for InterLace system== | ||
| + | In Wallace's essay ''E Unibus Pluram'' I've found what seems pretty clearly to be the inspiration for the InterLace system in ''Infinite Jest''. Wallace's response to George Gilder's ''Life After Television: The Coming Transformation of Media and American Life'': | ||
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| + | "So, in sum, a conservative tech writer offers a really attractive way of looking at viewer passivity, at TV's institutionalization of irony, narcissism, nihilism, stasis, loneliness. It's not our fault! It's outmoded technology's fault! If TV-dissemination were up to date, it would be impossible for it to "institutionalize" anything through its demonic "mass-psychology." Let's let Joe B., the little lonely average guy, be his own manipulator of video-bits. Once all experience is finally reduced to marketable image, once the receiving user of user-friendly receivers can break from the coffle and choose freely, Americanly, from an Americanly infinite variety of moving images ''hardly distinguishable from real-life images'', and can then choose further just how he wishes to store, enhance, edit, recombine, and present those images to himself in the privacy of his very own home and skull, then TV's ironic, totalitarian grip on the American psychic cojones will be broken. !!!" | ||
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| + | I'm not sure where to post this information or how to present it in the wiki, though. | ||
| + | --[[User:Pyrocow|Pyrocow]] 22:37, 5 January 2010 (UTC) | ||
Revision as of 22:37, 5 January 2010
I don't want to insert something in the main chronology without first checking in with the idea. I think another clue as to the year(s) in which the novel's events take place is in using the millennial cut-off as a point of demarcation for subsidized time. The Year of the Whopper would coincide with the new millennium, which, depending on whether you recognize AD years as beginning in Year 0 or Year 1, would have the new millennium beginning on Jan. 1, 2000 or Jan. 1 2001. I think it more likely that YW was 2000. DFW would certainly be aware that the millennium's actual start would be Jan. 1, 2001. But he would also recognize that our society places more weight on the symbolic importance of going from 1999 to 2000, than the chronological correctness of counting the years "since Christ" as the beginning of Year 1. So if YW is 2000, then YG is 2008, which corresponds with one of the possible ages of Matty Pemulis.
Note that DFW makes use of the term "post-millennial" numerous times, albeit infrequently, given the length of the novel. In interviews from the 90's, DFW was cognizant of a post-modern era and felt, I felt, a special significance approaching with the new millennium (Google "DFW interview millennium" for examples). I think there's a very strong inference that the inauguration of subsidized time coincides with the new millennium and I would suggest adding a sentence or two to the main chronology in support of the Matty Pemulis-based date(s) putting YG in 2008 or 2009. --Mimesis
Inspiration for InterLace system
In Wallace's essay E Unibus Pluram I've found what seems pretty clearly to be the inspiration for the InterLace system in Infinite Jest. Wallace's response to George Gilder's Life After Television: The Coming Transformation of Media and American Life:
"So, in sum, a conservative tech writer offers a really attractive way of looking at viewer passivity, at TV's institutionalization of irony, narcissism, nihilism, stasis, loneliness. It's not our fault! It's outmoded technology's fault! If TV-dissemination were up to date, it would be impossible for it to "institutionalize" anything through its demonic "mass-psychology." Let's let Joe B., the little lonely average guy, be his own manipulator of video-bits. Once all experience is finally reduced to marketable image, once the receiving user of user-friendly receivers can break from the coffle and choose freely, Americanly, from an Americanly infinite variety of moving images hardly distinguishable from real-life images, and can then choose further just how he wishes to store, enhance, edit, recombine, and present those images to himself in the privacy of his very own home and skull, then TV's ironic, totalitarian grip on the American psychic cojones will be broken. !!!"
I'm not sure where to post this information or how to present it in the wiki, though. --Pyrocow 22:37, 5 January 2010 (UTC)
